The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author

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Rejection for Indie Authors 101

Heritage Display preferences: Use the options below to adjust the size, style and colors, and click 'Apply' below. Why You Need a Book About Copy-editing When you publish as an Indie Author, be it on an electronic device such as the Kindle or as a printed novel through Createspace or other print-on-demand services, readers are evaluating your writing by using Free First Chapter, etc.

With so many novels competing against one another, you need all the tools you can get to convert interest into a buy… Welcome to the world of copy-editing - the revision, correction and adaptation of a piece of writing for publication. Page 1 of As always, it pays to do your homework. You do not want to sign away rights or say yes to expenditures without understanding what you're doing. Read this book before you hire and pay a publisher to publish your book.

Read why, and what you should base your choice on. Reiss's books and articles on self-publishing she's done it so successfully herself that in her case ASJA reversed its policy on not granting membership based on self-published books. With only a couple of the POD printers, including Lightning Source and CreateSpace which have arrangements with Ingram, a distributor , can you get books into bookstores and libraries--most of which won't otherwise accept most self-published books.

Create Space—the differences are remarkable Larry M. Edwards, Polishing That Prose, The quality of printing is better with LS; CS is better at hand-holding newbie writer-self-publishers. And then there are prices and discounts. For most titles, no charge for AG members to participate. Not all books are eligible. Some of the variables to consider when choosing between a web printing company and a sheet fed printing one--and that's a different KIND of "web," by the way.

The purpose of the ISBN is to establish and identify one title or edition of a title from one specific publisher; that ISBN is unique to that edition, allowing for more efficient marketing and inventory-tracking of products by booksellers, libraries, universities, wholesalers and distributors. The ISBN is generally translated into a worldwide compatible bar code format which you can get here at Bookow for free.

You will usually place the ISBN and the bar code on the book jacket, to make it easier to scan books at a store's checkout counter. You will also include the ISBN on the copyright page inside the book as books do lose their jackets. As a book customer, including a library, you know from the bar-code number on a book jacket that you are getting exactly the right version or edition of a book. Generally there is a different ISBN for each version of a book: the hardcover, paperback, eBook, and audio book --as well as American and British editions.

Why You Need to Become an "Independent Publisher" - Copyblogger

Many trade books include both. And there are apps with which to scan ISBNs and compare prices. The CIP data block is that bunch of strange catalog-talk you find on the copyright page of books you check out of the library. Once you have the ISBN, you request a Library of Congress control number PCN pre-publication and get the language to go on the copyright page, so that libraries can find and order the book.

Clearly you have to allow time for this in your production schedule. The only time the author buys the ISBN is when the author is self-publishing and plans to fulfill book orders. The ISBN is an identifier useful in marketing and distribution. It has nothing to do with who owns copyright on the book, which is a separate issue. If you don't plan to sell your self-published book you don't need one. As novelist-publisher Melinda Clayton explains, "There are companies out there that will buy a huge sheet of ISBNs and then "re-sell" them to authors at a cheaper price than the author can get from Bowker.

You can generate them for free. Where can I get one? Don't Barcodes Contain the Mark of the Beast? Although the EAN barcode is much like that used for general retail merchandise, the numbering system used to generate the bar code for books is different. A Library of Congress Control Number LCCN is a unique identification number that the Library of Congress assigns to the catalog record created for each book in its cataloged collections.

See FAQs about the Library's collections and services. These records can be located and downloaded by libraries as part of their regular workflow. The records can only be opened and read by using special bibliographic software which libraries have and most publishers do not, unless publishers are creating their own cataloging for their titles.

It also excludes publishers who have issued less than 3 books by authors other than themselves Those created by a publisher, or by a third party on behalf of a publisher, are known as P-CIP. When the book is published, the publisher includes the CIP data on the copyright page thereby facilitating book processing for libraries and book dealers.

Not to be confused with the Cataloging in Publication CIP program, which creates bibliographic records for forthcoming books most likely to be widely acquired by U. The same categories appear in the copy for cataloguing often found on the copyright page of traditionally published books. Click on a heading to find subheadings. Then go talk to a local bookseller for tips on how labels for your book might be helpful.

They're the ones who have to figure out where in the bookstore to put the darned books! The Subject Heading applied to a book can determine where the work is shelved in a brick and mortar store or the genre s under which it can be searched for in an internal database. The ISNI code makes it easier for distribution and publishing platforms to identify which exact people were involved in any one piece of content, which helps with attribution and royalty payments.

Other similar standards systems already exist in music for identifying specific performers and writers. In particular the IPN International Performer Name system for artists, and the IPI Interested Party Information system which is used by the music publishing sector and its collecting societies to identify songwriters, composers, arrangers and publishers. Selling your book to libraries, bookstores, schools Says a former librarian, "the only way to get any review in front of librarians is through the professional sources for traditional publishing - Library Journal, School Library Journal, Kirkus NOT Kirkus Indie , Booklist, Publishers Weekly.

If you self-publish, pay for a Kirkus Review which won't necessarily be positive. This person has 10 libraries within their district. They'd like 10 copies of your book for each branch Most of the 16, librarians who attend ALA have buying power. A lot of the ones we met had their purchasing Credit Card on them in case they see something they really like. If you haven't also directly uploaded your book to IngramSpark, it won't be there. One further tip from Melinda: "If you use Ingram, you can set it so that the book is only available for you to order. This gives you time to order books yourself to send to review places.

Once you're ready for it to be available for stores and libraries to order, you simply go into your settings and select that option. Libraries won't even know about your book unless it gets reviews. And they also won't usually be interested in buying in a book with last year's copyright date. Or you can read the transcript. Selling books to libraries is an under-served, under-tapped market. There is something about having your book in a library that gives it either a nod of credibility, or just the word of mouth that dramatically increases your sales outside of the library.

If one of their trusted wholesalers likes your book enough to put it on their shelf or to recommend it to them, they will give you a far greater chance than if you are not listed with those wholesalers. Sign in and access their other white papers. Even if it doesn't pass their screening program, it may still be made available to your state's library systems. Authors aren't paid for books selected, so this option really works best if you have a series the reader might want to pay for after reading the first book, or if you have a backlist you can use to encourage authors to find and buy your most recent books.

I would consider inclusion in LJ Self-e Select a marketing opportunity more than a money-making opportunity. There are roughly 18, library buildings in the United States and 10, public library systems. Titles libraries promote to their patrons through various means have been shown to increase book sales to consumers indirectly. Three of the Big 5 publishers are shifting "from perpetual access licenses one high price for access forever to a two-year metered model lower prices with an expiration date " for e-books.

Michelle gives a quick overview of Common Core standards to help you see how your work dovetails with the standards. Then she moves into practical, real-world examples of successful programs designed to suit the style of the individual author. She also offers tips for selling books, setting reasonable fees, and running Skype visits.

Some librarians say self-published children's literature has also not achieved professionalism. Approach wholesalers first. Make your book available on full trade discount and fully returnable. Go after reviews from respected sources e. Create a plan to increase demand and drive traffic into libraries.

Leave behind any sense of entitlement. Libraries are going digital and you can get into library digital catalogues through OverDrive on Smashwords. Library books take a lot of abuse, so libraries prefer books that are sturdy. However, given the choice between a hardcover and paperback edition, they may choose the paperback because it's less expensive. Libraries generally will not purchase books with spiral or other nontraditional binding, and they don't like books with "fill-in-the-blank" pages.

Nonfiction books should have a good index and preferably a bibliography. Librarians also prefer to purchase books that are cataloged using CIP cataloging-in-publication data. The majority of library book purchases are made through wholesalers, and some libraries won't order directly from small publishers. It does a great job and takes less money for each sale.

In addition, use IngramSpark so that your book can be ordered by the bookstores and libraries from the large wholesalers with which they prefer doing business. Ron Pramschufer, Publishing Basics, This is Ron Pramschufer's good overall view of the process. Read this if your secret goal is to make a book that a major publisher will pick up.

Chang developed a niche market writing and publishing children's books for travel destination sites. How to Write and Publish a Book. Author Carol Denbow on how to write a nonfiction book or novel; find a publisher or publishing option; and market your book for free. Links to other self-publishing resources There is also a wealth of information and advice available online. Check out some of the links below. But the independent presses are also thriving--winning more of the big literary prizes in the UK, especially , being more in touch with their customers, being abler to capitalize on quickly changing trends, and so on.

Kindle has slipped a bit! Also good for readers with vision defects.

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AuthorHouse, complaints about. Do your homework before signing with Author House. On this site are some complaints. From The Authors Guild Guide to E-Publishing : "When self-publishing first became affordable through print-on-demand technology, a range of author service companies sprang up to provide very affordable POD publishing packages.

Some of those earliest companies were AuthorHouse, Xlibris, and iUniverse-which over the years became consolidated into one corporation now known as Author Solutions. Despite traditional publishing partnerships, Author Solutions' business is declining and is largely seen by indie authors as a service company for those who are uneducated and uninformed about how to self-publish.

Be cautious if considering Author Solutions' services, as they are typically overpriced. Literary agent Janet Reid reports from Book Expo about the coming artistic revolution. She doesn't know what it will be--maybe an enhanced e-book--but it won't come from traditional book publishing, which is not set up to invent things. Writes Anthony, in Comments, "Essentially, what it boils down to is decentralization and just-in-time JIT content models based on nimble movers and shakers that can turn on a dime.

Konrath's ventures self-publishing his mystery novels--in this case selling e-book rights directly to Amazon Kindle, making publishing history. Here is a tutorial and FAQ. Blurb, a behind-the-scenes tour of Blurb's print-on-demand facilities Vimeo video. Excellent links to his articles on many topics.

Book Publishing 3. Nash's start-up, Cursor , is "a portfolio of niche social publishing communities, one of which will be called Red Lemonade.

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If that's not enough, read What Does Publishing 2. Richard Nash Knows by James Turner. E-books: Where they are going , a compilation of enlightening articles on the subject. Peter Bowerman, Publishing Basics. A clickable list. Desktop publishing DTP , explained nicely by Wikipedia , allows anyone with a computer and page layout software to print and publish readable documents. For a truly professional look, a book ought to be designed by a book designer working with software that can present camera-ready copy, software such as InDesign Adobe , which replaced Pagemaker, or QuarkXPress.

Here's a good explanation on Publishing Basics about why not to design a book using Word. Formatting for eBooks is a different kettle of fish. Here's a brief basics of eBook formatting for authors.

Writers and Editors

Reader ratings of eBooks are often lower when the formatting on a title is badly done typically because done on the cheap, offshore. Getting Ready to Publish Joel Friedlander, The Book Designer, with a LOT of good basic explanations for anyone just thinking of trying to self-publish -- or become a self-publisher Getting reviews for self-published books.

Hall of Shame. Irked or appalled by a badly edited or produced book? Check out the first nominees. Send your nominations to hallofshame[at]anamericaneditor. Handselling 14, copies of self-published books on NY subway. Trymaine Lee's story in NYTimes about reformed criminal's self-help book, hand-sold to a targeted market. Carolyn McCray, Publishing Perspectives, Ultimately, whether KDP Select works for you depends on the strength of your sales across various platforms.

The pros and cons of the program.


Information in a Nutshell Radio. Felice Gerwitz interviews experts about writing and publishing including marketing. Is Print the New Vanity Press? Seth Godin, a best-selling author of Permission Marketing : Turning Strangers Into Friends And Friends Into Customers , is leaving his traditional publisher and plans to distribute his content in several media, including audio books, apps, podcasts, and print on demand.

In this young new market, "whether a book is published and distributed by a reputable print publisher or self-published in ebook form is not as important as whether or not the content is immediately available, is reasonably inexpensive, and meets a need," reports Bates. Don't skip the comments. For the 9th Annual Year in Ideas , the NY Times Magazine includes Subscription Artists , describing Kickstarter as a form of market research for artists: "At Kickstarter, creative types post a description of a project they want to do, how much money they need for it and a deadline.

If enough people pledge money that the artists reach or surpass their financial goals, then everyone is billed, paying in advance as you would for a magazine subscription. For goals that aren't reached, nobody is charged. Thanks to Rhea Wessel for raising this topic for discussion on WriterL. Lulu vs. April Hamilton, Indie Author You can listen to the podcast online: Self-Publishing: Tutorials from the Trenches.

PhotoBook Press for heirloom-quality photobooks, made with archival paper and Smyth-sewn-signature bindings, which, unlike those from POD presses, which are glued, won't fall apart. The Publishing Game Fern Reiss. Reiss makes the important distinction between POD publishers and POD printers--only with a couple of the POD printers, including Lightning Source and CreateSpace which have arrangements with Ingram, a distributor , can you get books into bookstores and libraries--most of which won't otherwise accept most self-published books.

Secrets of successful book covers and titles filed under Marketing, publicity, and promotion. What does it take to publish a book, and how do you choose which route to follow? Bookstores are closing; newspaper book reviews are almost gone; and online options can be overwhelming. Scott James, Elizabeth Block, Teresa LeYung Ryan, and Paula Hendricks Click on the link to listen online; right click and save the mp3 file to your computer; or go to Joel Friedlander's site both to listen and to see the names and affiliations of those speaking one of them being Joel, on whose site I discovered this series.

Senior authors embrace self-publishing Diane C. So you're writing a book, eh? Has strict rules about how to handle reviews of your book. Under FAQ , for example, a "bookwhack" is "the art of attempting to push your book into conversations. This survey asked 61 questions of more than 1, self-publishers. Publishers are cutting back on how much they publish, brick and mortar bookstores are declining in importance, and media companies that succeed will do so by finding how to reach a niche audience, says Friedman.

Just keep in mind that the work will be considered published by literary journal editors, and that you'll essentially be self-publishing your work and offering it for free to readers. What advice do you give a writer? Mike Shatzkin writes: " They are not something separate and inferior, as 'vanity publishing' was in the past. When anyone can be a published author. How do you find something good to read in a brave new self-published world? Laura Miller Salon, Marion Gropen, The Profitable Publisher.

Times have changed! Me Too! Rachel Donadio on self-publishing. New York Times Book Review Links to other resources on Writers and Editors website. Lyons, Lyons says, about the difference between marketing and promotion : "Marketing is building the readership. It's getting the word out when no one has heard of you. It's reaching new readers. That is vital, no matter what stage of your career you're in. But you can't do that without already having the buzz. They are not yet known for producing quality books that seduce readers.

Is it possible for self-publishing authors to create symbolic capital? Absolutely yes, and many have. Adelle Waldman, Slate, Sept. Scroll down, and chances are you'll also find an opinion from Kirkus Reviews, Library Journal, or Booklist. You've probably never read these magazines, even if you've seen their names on book jackets. But they're helping determine what youread.

Penny Sansevieri, Author Marketing Experts, And Part 2 Some more tactical approaches. Get a newsletter. Reach out to bloggers. Get on Goodreads. What one thing will sell books? Likelihood of being reviewed by NY Times. Check her archives for more on marketing self-published books. Then You Need This. Kimberley Grabas, Your Write Platform, How to build your following before the book deal. For Smashwords authors. After lowering the price to 99 cents and being featured for free on Ereader News , her sales jumped in two days to , Barry Eisler, [Back to Top]. LSI has changed. Also, measures by Amazon to discourage the short discount pricing inherent in this "New Digital Print Business Model" has rendered the strategy presented here to be impractical.

Finally, CS has modified their pricing, making them far more competitive with LSI, in spite of their not offering quantity discounts. Thus, many of the figures comparing the two as digital book printers are no longer accurate.

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While I plan to do a thorough re-write of this article, that can not occur for several weeks from the time this notice is posted. The following may help get you started thinking through the possibilities and economics of the POD option. As Marion Gropen points out in Self-Publishing vs. There are dozens, if not hundreds, of POD printers who will happily print your correctly formatted manuscript as a book for a far lower cost. They charge you money. Unlike a respectable vanity press, they don't copy edit or produce high quality products.

They are out to make money on volume. They prey on author's insecurities and lack of knowledge. Whether a company is the scum of the earth depends on how they run their business, not how they print their books. A good source of advice on print-on-demand. POD subsidy editing is substandard and although major review media such as Publishers Weekly and Library Journal occasionally review self-published books, they never review POD subsidy books. Digital printing may be a good idea in some circumstances, but you don't need to "sign with" a POD subsidy publishing to do digital printing. What you want to do is arm yourself with enough knowledge that you can take advantage of POD printing if it makes sense for you, but not if it doesn't.

One way to use it, for example, to create an early version of a book to test on readers, get reactions, and then improve the book it's like asking people to read a manuscript, but making it more readable and portable for them. Maybe do this more than once. Then use POD to create a test run of the book.

Then, if the book seems to have potential, do a regular print run with an offset press. Be sure to protect your rights and weigh the economics of each approach. Harlequin's foray into vanity publishing of romance novels.

Basics of book design and production

Paid subscribers to Publishers Lunch Deluxe got a useful summary of Harlequin's "Harlequin Horizons" self-publishing enterprise, an effort to make money from the romance writers it doesn't publish by selling them vanity publishing. The sharp rebukes from writers included an announcement from Science Fiction Writers of America SFWA , which, concerned that the new 'self-publishing' venture's "sole purpose appears to be the enrichment of the corporate coffers at the expense of aspiring writers," declared that "NO titles from ANY Harlequin imprint will be counted as qualifying for membership in SFWA.

Author Solutions also fails to take diligent care of its authors' works, making numerous and egregious publisher errors - errors made by the publisher, not the author. These errors include errors on book covers, in addition to various typographical and formatting errors.

In fact, Author Solutions profits from its own mistakes. Aggressive sales techniques ensure that these errors are corrected only for a fee of several hundred dollars Shame on Them! Clea Saal has done much of your homework for you. But what if the dream becomes a nightmare? Oddly laid out, but follow the bread crumbs and you'll find some info.

See also Writer Beware's take on and explanations of vanity and subsidy publishers. See also Airleaf Victims blog. Many self-publishers use Lulu or CreateSpace to print cheap proofs. They upload a PDF to Lulu or CreateSpace, click the print button, and get proofs in the mail for less than ten dollars. Play around with the order, design, fonts and do it again. This batch of pieces is about copyediting for journalism but in my view they are as important in books, if not more so. I shudder when I find errors in books; in a newspaper, I know they were in a hurry with a short staff.

Does this bother you? Rather than write one version for all platforms Web, mobile, print, etc. Thaler-Carter, guest blog on An American Editor, The right questions asked at the right time can make the difference in a smooth, rewarding experience for both client and freelancer. Jane Friedman, Writer Unboxed, But they can make a good work great. Writer Beware's excellent links, some of which are included here, too. How to find, work with, and budget for book editing. The number one priority in your budget should be editing. Oh the pain of a poor review.

It can stay with you for years, decades, a lifetime. It joins those nasty little gremlins in the back of your mind who feed your imposter syndrome. We do have to get over them and move on—but that is easier said than done! You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. This site uses Akismet to reduce spam. Learn how your comment data is processed. Enter your email address to follow this blog and receive notifications of new posts, freebies and extras by email.

Posted in: A Writer's Life , writing technique. Tagged: british self-published writers , coping with criticism , cosy murder , cozy mystery , creative writing , creativity and rejection , crime writer , Derby writers , independent author , independent writer , indie writer , murder mystery , rejection slips , self published , self-doubt , writers in Derbyshire , writing blog , writing technique.

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The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author
The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author
The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author
The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author
The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author
The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author
The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author
The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author The Complete INDIE Editor - 55 Essential Copy-edits for the Professional Independent Author

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